{"id":779,"date":"2022-10-31T17:12:01","date_gmt":"2022-10-31T17:12:01","guid":{"rendered":"https:\/\/translash.org\/2022\/10\/31\/trans-horror-a-translash-guide\/"},"modified":"2025-06-27T18:11:23","modified_gmt":"2025-06-27T18:11:23","slug":"trans-horror-a-translash-guide","status":"publish","type":"resource","link":"https:\/\/translash.org\/resources\/trans-horror-a-translash-guide\/","title":{"rendered":"Trans Horror: A TransLash Guide"},"content":{"rendered":"\n<p>Trans people are an undeniable part of the horror genre: the universe of films, television shows, books, <a href=\"https:\/\/translash.org\/podcasts\/translash-podcast\/trans-sci-fi-cosplay-comics\/\">graphic novels<\/a>, and more that feature a thrilling, spooky, and\/or gory tale. The horror genre onscreen has historically featured cisgender actors playing trans characters as dehumanizing tropes that normalize anti-trans violence in the real world; the <a href=\"https:\/\/lgbtqbar.org\/programs\/advocacy\/gay-trans-panic-defense\/\">trans panic defense<\/a> is fueled in part by these harmful depictions.<\/p>\n\n\n\n<p>Fortunately for TGNC and ally horror lovers, trans representation has slightly improved over the last decade. <\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized is-style-default\"><img decoding=\"async\" src=\"https:\/\/translash.org\/wp-content\/uploads\/2024\/04\/DC-HALLOWEEN-TGNC-FINAL-V7-IG-Post.jpg\" alt=\"\" class=\"wp-image-5494\"\/><figcaption class=\"wp-element-caption\">An homage to horror film posters featuring Elliot Page, Angelica Ross, Theo Germaine, and Nicole Maines<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-what-is-trans-horror\">What Is Trans Horror?<\/h3>\n\n\n\n<p>According to <a href=\"https:\/\/aninjusticemag.com\/a-timeline-of-transgender-horror-90d707b71e2d\">aninjusticemag.com<\/a>, for a film to be considered part of trans horror canon, it must meet three criteria:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>The film has to feature a transgender character, or a character that is heavily trans-coded, as the antagonist of the film.<\/li>\n\n\n\n<li>The film has to be considered within the horror genre, or at the very least a thriller (as there is considerable overlap between the two).<\/li>\n\n\n\n<li>The film has to be available to watch, either through purchase, streaming, or other methods. <\/li>\n<\/ol>\n\n\n\n<p>Gender representation onscreen has always been controversial, even for cisgender people. As <a href=\"https:\/\/atranslog.medium.com\/?source=post_page-----90d707b71e2d--------------------------------\">logan ashley kisner<\/a> explains, gender in a Hollywood film has historically been portrayed in three ways:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>\u201cGender as something to be overcome\u201d: the films that try and tackle societal and cultural sexism (of which are not all inherently bad). These #girlpower-style movies can be very affirming for cisgender girls and women but typically do not include trans representation. <\/li>\n\n\n\n<li>\u201cGender as the punchline\u201d: the&nbsp;<em>Tootsie<\/em>s,&nbsp;<em>Mrs. Doubtfire<\/em>s. It\u2019s not that gender itself is a punchline, but that a (typically cisgender male) character must live briefly as the \u201cother gender\u201d, which audiences find funny in a way that is problematic and rooted in transphobia.<\/li>\n\n\n\n<li>\u201cGender as tragedy\u201d: this typically includes films like&nbsp;<em>Boys Don\u2019t Cry&nbsp;<\/em>and&nbsp;<em>Dallas Buyers Club<\/em>, where gender &#8220;transgressions&#8221; are punished through violence and acts of dehumanization, also rooted in transphobia.<\/li>\n<\/ol>\n\n\n\n<h3 class=\"wp-block-heading\">Trans Representation In Horror<\/h3>\n\n\n\n<p>Cisgender people get to be villains in horror films and those portrayals aren&#8217;t weaponized by society as proof that cisgender people are evil or unworthy of equal rights. Unfortunately, trans representation in media has historically reinforced problematic tropes about trans people that lawmakers <a href=\"https:\/\/translash.org\/projects\/the-anti-trans-hate-machine\/\">have attempted to use to criminalize our existence<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hellraiser | Official Trailer | Hulu\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/oUlgwJNdu2I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>But over the last decade, we have seen more trans-affirming and trans-led horror narratives that feature iconic roles for trans people, such as Jamie Clayton as a terrifying Pinhead in the new&nbsp;<em>Hellraiser, <\/em>available now on Hulu<em>.&nbsp;<\/em>Clayton <a href=\"https:\/\/www.them.us\/story\/jamie-clayton-hellraiser-trailer-hulu-pinhead\" target=\"_blank\" rel=\"noreferrer noopener\">is breaking new ground for trans villains<\/a> in this remake of a queer horror classic. <em>Wendell &amp; Wild<\/em>, the new Netflix film from&nbsp;<em>The Nightmare Before Christmas&nbsp;<\/em>director Henry Selick, <a href=\"https:\/\/time.com\/6226230\/wendell-and-wild-paranormal-park-trans-representation\/\">features a transgender character<\/a>.&nbsp;<a href=\"https:\/\/www.instagram.com\/p\/CjoXT0xPDTb\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sarah Ligatich<\/a>, an assistant editor on the movie, is also trans, and was able to give some notes directly to Selick.<\/p>\n\n\n\n<p>While there is still room for improvement, TGNC representation in horror has definitely evolved since films such as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Murder!\">1930\u2019s&nbsp;<em>Murder<\/em><\/a>, <em>Psycho<\/em>, <em>Homicidal<\/em>, <em>Four Flies on Grey Velvet<\/em>, <em>A Reflection of Fear<\/em>, and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Sleepaway_Camp\">1983\u2019s&nbsp;<em>Sleepaway Camp<\/em><\/a>. Despite continued anti-trans representation onscreen\u2014<a href=\"https:\/\/www.hrw.org\/news\/2022\/10\/26\/us-anti-trans-bills-also-harm-intersex-children\">and anti-trans bills &amp; rhetoric offscreen<\/a>\u2014we wanted to highlight some of the many talented TGNC professionals who have shared complex horror narratives with nuance, creativity, and heart.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized is-style-default\"><img decoding=\"async\" src=\"https:\/\/translash.org\/wp-content\/uploads\/2024\/04\/TRANS-HORROR-PART-1.jpg\" alt=\"trans horror\" class=\"wp-image-5495\" style=\"width:768px;height:768px\"\/><figcaption class=\"wp-element-caption\">TransLash highlights TGNC trailblazers in horror: Angelica Ross, Elliot Page, Billy Martin, Theo Germaine, and Jamie Clayton.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Angelica Ross<\/h4>\n\n\n\n<p>Actor in FX TV Series <em>American Horror Story<\/em> | <a href=\"http:\/\/www.instagram.com\/angelicaross\">@angelicaross<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Elliot Page<\/h4>\n\n\n\n<p>Actor in <em>The Cured<\/em> (2018), <em>Flatliners<\/em> (2017), <em>Hard Candy<\/em> (2005) | <a href=\"http:\/\/www.instagram.com\/elliotpage\">@elliotpage<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Billy Martin<\/h4>\n\n\n\n<p>Trans Horror Author of <em>Lost Souls<\/em> and <em>Exquisite Corpse<\/em> | <a href=\"http:\/\/www.instagram.com\/docbrite\">@docbrite<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Theo Germaine<\/h4>\n\n\n\n<p>Actor in the Horror Film <em>They\/Them<\/em> | <a href=\"http:\/\/www.instagram.com\/theogermaine\">@theogermaine<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jamie Clayton<\/h4>\n\n\n\n<p>Actor in <em>Hellraiser <\/em>(2022) | <a href=\"http:\/\/www.instagram.com\/msjamieclayton\">@msjamieclayton<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized is-style-default\"><img decoding=\"async\" src=\"https:\/\/translash.org\/wp-content\/uploads\/2024\/04\/TRANS-HORROR-PART-2.jpg\" alt=\"trans horror\" class=\"wp-image-5497\" style=\"width:768px;height:768px\"\/><figcaption class=\"wp-element-caption\">TransLash highlights TGNC trailblazers in horror: Nicole Maines, Logan-Ashley Kisner, Sepand (Sepi) Mashiahof, Dominique Jackson, and V. Reibel.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Nicole Maines<\/h4>\n\n\n\n<p>Trans Actor-Activist in <em>Bit<\/em> (2019) | <a href=\"http:\/\/www.instagram.com\/nicoleamaines\">@nicoleamaines<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Logan-Ashley Kisner<\/h4>\n\n\n\n<p>Transgender Horror Historian | <a href=\"http:\/\/loganashley.contently.com\">loganashley.contently.com<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Sepand (Sepi) Mashiahof<\/h4>\n\n\n\n<p>Trans-femme Filmmaker, <em>Love You Forever<\/em> (2021) | <a href=\"http:\/\/www.instagram.com\/mothsprotectme\">@mothsprotectme<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Dominique Jackson<\/h4>\n\n\n\n<p>Actor in <em>American Horror Stories<\/em> (2022) | <a href=\"http:\/\/www.instagram.com\/dominiquet.a.r.jackson\">@dominiquet.a.r.jackson<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">V. Reibel<\/h4>\n\n\n\n<p>Non-binary Actor in <em>Querent<\/em> (2021) | <a href=\"http:\/\/www.vreibel.com\">www.vreibel.com<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">More Trans Horror Resources<\/h3>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Transgender Horror: A Visual History\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/rmKiBNGMy_k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>How Body Horror Movies Elucidate the Trans Experience and Gender Dysphoria, <a href=\"https:\/\/movieweb.com\/body-horror-movies-trans-experience-and-gender-dysphoria\/\">movieweb.com<\/a><\/li>\n\n\n\n<li>Trans Horror Stories and Society&#8217;s Fear of the Transmasculine Body, <a href=\"https:\/\/www.them.us\/story\/transmasculine-horror-stories\">them.us<\/a><\/li>\n\n\n\n<li>How Animation Is Changing a History of Trans Marginalization in Horror, <a href=\"https:\/\/time.com\/6226230\/wendell-and-wild-paranormal-park-trans-representation\/\">time.com<\/a><\/li>\n\n\n\n<li>\u201cMONSTROUS TRANSGRESSIONS\u201d: VICTIMHOOD AND VILLAINY IN TRANS HORROR NARRATIVES, <a href=\"http:\/\/www.broadsatyale.com\/monstrous-transgressions\/\">broadsatyale.com<\/a><\/li>\n\n\n\n<li>[Pride 2021] Transmasculinity in Horror, <a href=\"https:\/\/www.gaylydreadful.com\/blog\/pride-2021-transmasculinity-in-horror\">Gayly Dreadful<\/a><\/li>\n\n\n\n<li>Blood, Bodies and Binaries: Trans Women in Horror, <a href=\"http:\/\/fourteeneastmag.com\/index.php\/2019\/01\/18\/blood-bodies-and-binaries-trans-women-in-horror\/\">fourteeneastmag.com<\/a><\/li>\n\n\n\n<li>How I realized I was trans by making terrible horror movies, <a href=\"https:\/\/www.cbc.ca\/arts\/how-i-realized-i-was-trans-by-making-terrible-horror-movies-1.6505498\">cbc.ca<\/a><\/li>\n\n\n\n<li>Midsommar has a deeply trans narrative hiding in plain sight, <a href=\"https:\/\/www.vox.com\/culture\/21307689\/midsommar-trans-review-ending-spoilers\">Vox.com<\/a><\/li>\n\n\n\n<li>New queer horror essay anthology:<a href=\"https:\/\/www.feministpress.org\/books-a-m\/it-came-from-the-closet\">&nbsp;<em>It Came From the Closet: Queer Reflections on Horror<\/em><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/twitter.com\/jamieleecurtis\">Jamie Lee Curtis<\/a>, an ally, is iconic for both her scream queen status in the <em><a href=\"https:\/\/twitter.com\/halloweenmovie\">Halloween<\/a><\/em> franchise and for <a href=\"https:\/\/www.nbcnews.com\/nbc-out\/out-pop-culture\/jamie-lee-curtis-says-transgender-daughter-faced-death-threats-rcna52258\">all the ways she supports her trans daughter Ruby<\/a> in public and behind the scenes. We hope more cis actors take notice and follow her lead.<\/li>\n<\/ul>\n\n\n\n<p>Horror should be inclusive for everyone. Support TGNC folks in horror and watch the documentary <em><a href=\"https:\/\/www.disclosurethemovie.com\/about\">DISCLOSURE<\/a><\/em>, an unprecedented, eye-opening look at transgender depictions in film and television.<\/p>\n\n\n\n<p><strong><em>Did you find this resource helpful? Consider supporting TransLash today with&nbsp;<\/em><\/strong><a href=\"https:\/\/translash.org\/donate\/\"><strong><em>a tax-deductible donation<\/em><\/strong><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Explore TransLash&#8217;s trans-affirming guide to the horror genre.<\/p>\n","protected":false},"featured_media":780,"template":"","project":[],"topic":[91],"class_list":["post-779","resource","type-resource","status-publish","has-post-thumbnail","hentry","topic-lifestyle-and-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Trans Horror: A Translash Guide to the Genre<\/title>\n<meta name=\"description\" content=\"Discover the unique appeal of horror for trans audiences, with a trans-affirming guide to must-watch films in the genre.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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